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Falling: A Wake

One starry night the body of young man, still strapped into his airplane seat, falls from the sky into the yard of Harold and Elsie's chicken farm. As the night unfolds, their mysterious guest effects a profound transformation in his hosts. Falling: A Wake is a haunting and surprisingly funny play about love, loss, and the redemptive power of letting go.

 

REVIEWS

“Falling: A Wake is a prayer for the departed, as well as a prayer to those who remain. It quietly, but insistently, searches out meaning in a world that often appears random, reminding us that, at some level, we are all lost souls in the dead of night waiting on the light.” -The Kitchener-Waterloo Record

Queen Milli of Galt

Based on a true story. A lovely romantic comedy with a handy supply of humor, this play is a genuinely witty exploration of unexpected love. In 1972, the Duke of Windsor (Edward VIII) dies while living in exile at the age of 78. Two weeks later in Canada, an 80 year-old woman from a small town named Galt has her tombstone engraved, claiming to be his wife. A young journalist appears at her door, eager for answers. Flashback to 1919 as Edward, then holding the official title of the Prince of Wales, visits Canada as an emissary of the King. Bored with the pomp and circumstance, he slips away from his official duties and begins a romance with a charming young woman.

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REVIEWS

"A breezy, witty, warmly romantic. One of the most promising new plays I have seen in the last five years!" CBC - Robert Mitchell

"...engaging, moving, well deserving of the standing ovation."

- The Citizen

Rage Against Violence by Gary Kirkham and Dwight Storring
A verbatim play for 12-13 actors
 
 The play is available royalty free if all proceeds go to a women's shelter or support organization.
 
The play is designed to be read with scripts in hand and can be performed with one or two rehearsals. 

Rage Against Violence
by Gary Kirkham & Dwight Storring 

“Rage Against Violence” captures the impact of family violence through the eyes of those who have lived it. From survivors to frontline support workers, the script was created entirely verbatim from interviews with them.

 

It traces relationships from genesis, to breakdown, to escape, as we hear how many women and their children repair their lives through the support of community services such as women’s shelters, special police units, and family and children’s services.

 

But not everyone is able to access this support before tragedy strikes. The final act centres on the death of Denise Bourdeau at the hands of her boyfriend and the subsequent murder trial.

 

We hear how it felt for her nephew, Zaq Laroque, to sit through days of testimony in support of his grandmother; how the death of his aunt and the beating of his own mother have spurred him to advocacy. The journalist who covered the trial takes us inside the court proceedings. But most importantly, we hear the actual words of Denise pleading with her boyfriend to stop his violence in an unsent-letter discovered by her mother after her death.

 

The play closes with audience members standing and saying the names of local women who have died at the hands of their intimate partners over the past 10 years.

The play was commissioned by Women's Crisis Services Waterloo.

Falling: A Wake
Queen Milli of Galt
Rage Against Violence

Pearl  Gidley

The elderly Gidley sisters lead unassuming and unexciting lives in Blyth, Ontario in 1971. Tart-tongued Pearl and the more romantically-minded Edith live frugally, renting a room to the occasional boarder to help make ends meet. But the sisters’ orderly life is turned upside-down when their neighbour George asks them to take in Charles, a young American Vietnam veteran.
The characters in this beautifully-written, bittersweet comedy gently draw out one another’s stories…and along the way must come to terms with loyalty and betrayal, long-ago heartbreak, the consequences of sacrifice, and the power of music.

 

REVIEWS

“Pearl Gidley is a modest play. But it is modest in the way Carol Shields’ novels are modest, Alice Munro’s and Ernest Hemingway’s short stories are modest or Anton Chekhov’s plays are modest.”—The Waterloo Record

“The audience gave this play a standing ovation, and for good reason…the play touches the heart.”—The Globe and Mail

Pocket Rocket

By Lea Daniel & Gary Kirkham  

Street hockey buddies, 3 boys and a girl, gather for a game.  It’s 1967: the Centennial, the last year of the NHL’s original six, and the “summer of love”.  Things change when a new kid, recently immigrated from Pakistan, wants to join the game. The play follows the 5 friends over the next 28 years in a quintessentially Canadian journey.

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REVIEWS

"Pocket Rocket is  filled with humour, pathos and heart-wrenching emotion that will find you laughing one moment and deep in thought the next."

-Robert White:  Arts Connection 

three plays AMAL copy.jpg

AMAL
Through the passing on of stories to a younger generation, AMAL shares the history and journey of a Syrian family, raising the questions: what does it mean to occupy, to resist, to survive?
"Powerful piece of theatre tells a gripping and real story of Syrian refugees"
                     VALERIE HILL - The Record

The Last 15 Seconds

The critically acclaimed play  explores the topic of terrorism starting with the tragic death of Syrian-American filmmaker Mustapha Akkad and his daughter Rima during a series of co-ordinated attacks  in Jordan  in 2005. 

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Body 13

BODY 13 speaks of the Canadian dream we all share with a theatrical eloquence that is as refreshing as it is welcome. Unabashedly and joyfully sexual, it embraces diversity on all fronts and makes of it all a celebration as they tell us seven little stories about a big dream we all share.”  “and it is almost certain to fill you with joy”                                                         JOHN COULBOURN – Toronto Sun

Pearl Gidley
Pocket Rocket
The MT Space
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